Joyce Carol Oates: "Where Are You Going, Where Have You Been"
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Author Joyce Carol Oates has
enjoyed a long career as a writer and journalist, novelist, and literary
critic. In this period of over fifty years in which she has been writing, she
has received such honors as the O. Henry Award (1967), and the American Book
Award (1970). Growing up in Lockport, New York, her family lived a hardscrabble
existence, but was nonetheless happy and close. Her paternal grandmother was a
particular favorite relative of Joyce’s.
In college at Syracuse University,
she began writing and reading the work of D.H. Lawrence, Flannery O’Connor, and
Franz Kafka: an eclectic assembly of influences that Oates still reflects on as
having been “pervasive” (1) After having
been graduated from Syracuse, she went to the University of Wisconsin where she
earned her master’s degree in English and began teaching at institutions that
included Princeton, Detroit, and Windsor Universities. She currently resides in
Princeton, New Jersey, where she and her husband, Raymond Smith directs the
Ontario Review Press.
Oates is perhaps one of the most
productive writers, having produced more than twenty-five collections of short
stories and forty novels, which include Because it is Bitter, and Because it is
My Heart, I’ll Take You There, and The Tattooed Girl. After her grandmother’s
death, she discovered that her grandfather had committed suicide and that the
family had fought to conceal their Jewish heritage. Much of her fiction draws
on themes of family, visions of America, violence (“but never gratuitous,” says
Oates), sexuality, and particularly in the short narrative, “Where Are You
Going, Where Have You Been?” which deals, in part, with coming of age, naivete,
and contemporary culture (Pearson 654).
“Where Are You Going, Where Have You Been?”
According to Oates herself, this
story was inspired by a Life Magazine
article about a serial killer, Charles Schmid, who frequented the Speedway in
Tucson, AZ in the 1960s, luring young teenagers, who looked up to him like a
hero. For this reputation, Schmid was nicknamed “The Pied Piper” by the press. Schmid
was, according to some accounts, suffering from an inferiority complex: he
frequently used makeup to “make himself appear mean,” and to appear taller (he
stood at a mere 5’3), stuffed newspaper into his cowboy boots, giving him a
bow-legged, almost deformed appearance. In 1964, Schmid confided to his then
girlfriend and one other friend, John Saunders, that he wanted to kill a young
woman and “thought he could get away with it.” The trio lured 15-year-old
Alleen Rowe to a deserted area outside of Tucson, having convinced the young
victim they were going to a party. Instead, Schmid raped the young woman and
murdered with a rock. He then buried her in the Arizona desert. Later, Schmid
boasted to a new girlfriend, Gretchen Fritz, that he had murdered two young
people. However, because he was unfaithful, Fritz reacted only to his
infidelity, and threatened to expose him to authorities if he didn’t stop
dating other women. Schmid would later murder both Gretchen and her
fourteen-year-old sister, Wendy (2).
And finally, why is this story dedicated to Bob Dylan?
You must leave now, take what you need, you think will last
But whatever you wish to keep, you better grab it fast
Yonder stands your orphan with his gun
Crying like a fire in the sun
Look out the saints are comin' through
And it's all over now, baby blue
But whatever you wish to keep, you better grab it fast
Yonder stands your orphan with his gun
Crying like a fire in the sun
Look out the saints are comin' through
And it's all over now, baby blue
The highway is for gamblers, better use your sense
Take what you have gathered from coincidence
The empty-handed painter from your streets
Is drawing crazy patterns on your sheets
This sky, too, is folding under you
And it's all over now, baby blue
Take what you have gathered from coincidence
The empty-handed painter from your streets
Is drawing crazy patterns on your sheets
This sky, too, is folding under you
And it's all over now, baby blue
All your seasick sailors, they are rowing home
All your reindeer armies, are all going home
The lover who just walked out your door
Has taken all his blankets from the floor
The carpet, too, is moving under you
And it's all over now, baby blue
All your reindeer armies, are all going home
The lover who just walked out your door
Has taken all his blankets from the floor
The carpet, too, is moving under you
And it's all over now, baby blue


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